Related Paintings of unknow artist :. | Bourg-de-Batz, Brittany | Retrato de una senora principal con su negra esclava | Still-Life | European city landscape, street landsacpe, construction, frontstore, building and architecture. 241 | Simurgh on an island,from Advantages to be Derived from Animals by Ibn Bakhtishu |
Related Artists:
Jose del Castillo
1737-1793 Spanish Jose del Castillo Location a Spanish painter and a leader of the artistic movement Illustrious Absolutism. Many of his paintings were done on tapestries. Castillo made many attempts to become Royal Painter for the Spanish monarchy, but he was never successful. This was not due to a lack of talent, but rather because Castillo allied himself with the wrong noble. His patron, the Earl of Floridablanca, feuded bitterly with the Earl of Aranda. The Earl of Aranda was favored by King Carlos III, and as a result, Ram??n Bayeu (Aranda favorite painter) became Royal Painter. After Carlos III died, Castillo tried again to become Royal Painter. Unfortunately, the new monarch, Carlos IV, decided to leave the position of Royal Painter vacant.
Peter Nicolai Arbo
(June 18, 1831 - October 14, 1892) was a Norwegian painter, who specialized in painting motifs from Norwegian history and images from Norse mythology. He is above all noted for Åsgardsreien, a dramatic motif based on a Norwegian folk legend and Valkyrie, which depicts a female figure from Norse mythology. Peter Nicolai Arbo grew up at Gulskogen Manor in Gulskogen, a borough in Drammen, Norway. He was the son of headmaster Christian Fredrik Arbo (1791-1868) and his wife Marie Christiane von Rosen. His brother Carl Oscar Eugen Arbo was a military medical doctor and a pioneer in Norwegian anthropologic studies. Arbo's childhood home, Gulskogen, was built in 1804 as a summer residence for his older cousin, lumber dealer and industrialist Peter Nicolai Arbo.Arbo started his art education with a year at the Art School operated by Frederick Ferdinand Helsted (1809-1875) in Copenhagen 1851-1852. After this, he studied at the art academy in Dusseldorf. From 1853 to 1855 he studied under of Karl Ferdinand Sohn, professor of The Dusseldorf School of Art, and from 1857-1858 under J. E. Henthen who was a battle and animal painter. At Dusseldorf he was for some time a private student of the history painter C. Mengelberg. He had contact with Adolph Tidemand and became a good friend of Hans Gude both of whom were professors at the art academy in Dusseldorf.
David Bailly
(1584-1657) was a Dutch Golden Age painter. Bailly was born at Leyden in the Dutch Republic, the son of a Flemish immigrant, calligrapher and fencing master, Peter Bailly. As a draftsman, David was pupil of his father and the copper engraver Jacques de Gheyn. David Bailly apprenticed with a surgeon-painter Adriaan Verburg in Leiden and then with Cornelius van der Voort (1576-1624), a portrait painter in Amsterdam. According to Houbraken, in the winter of 1608, Bailly took his Grand Tour, travelling to Frankfurt, Nuremberg, Augsburg Hamburg, and via Tirol to Venice, and from there to Rome. On his return he spent five months in Venice, all the while working as a journeyman where he could, before crossing the alps again in 1609. On his return voyage, Bailly worked for several German princes including the Duke of Brunswick. Upon his return to the Netherlands in 1613, Bailly began painting still-life subjects and portraits, including self-portraits and portraits of his students and professors at the University of Leiden. He is known for making a number of vanities paintings depicting transience of this life, with such ephemeral symbols as flowers and candles. Bailly taught his nephews Harmen and Pieter Steenwijck.